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The
potential of 'The Rime of the Ancient Mariner' as a subject for
musical development was first suggested by Richard's friend and
colleague, the jazz trombonist and bandleader Chris Barber, who
had acquired an early edition of the poem in of all places, New
Orleans. It was Chris who commissioned the original composition
of the work.
In
1994, Richard took a music drama version of the piece to the Edinburgh
Fringe Festival where, with the addition of mime, dance and surrealistic
lighting, it delighted audiences and critics alike, attracting
enthusiastic reviews.
Designs
for The Rime of the Ancient Mariner project are the copyright
of Paula Kenevan and Simon Kenevan. See Terms
of Use.
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